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She may not be a household name, but this flamboyant African-American gospel singing superstar, with her spectacular virtuosity on the newly-electrified guitar, was one of the most influential popular musicians of the 20th century.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTharpe was born in 1915, close to the Mississippi in Cotton Plant, Arkansas. At the age of six she was taken by her evangelist mother Katie Bell to Chicago to join Roberts Temple, Church of God in Christ, where she developed her distinctive style of singing and guitar playing. At the age of 23 she left the church and went to New York to join the world of show business, signing with Decca Records. 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(00:59:25)\u003c\/p\u003e","brand":"West Coast Buried Treasure","offers":[{"title":"Download","offer_id":40812188794927,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1157\/9802\/products\/p01gzl3j.jpg?v=1635689234"},{"product_id":"the-genius-of-beethoven-three-part-classical-music-documentary-film-2005","title":"THE GENIUS OF BEETHOVEN (2005)","description":"\u003cp\u003eThe Genius of Beethoven is a three-part BBC dramatized documentary series presented by Charles Hazlewood, taking a look at the life and work of Ludwig van Beethoven.\u003c\/p\u003e\n\u003cp\u003eEpisode 1 - The Rebel\u003cbr\u003eThis episode looks at Beethoven's Moonlight Sonata and 2nd Symphony, and charts his turbulent early years as a pianist and composer in Vienna, after having rejected his abusive alcoholic father. (00:58:43)\u003c\/p\u003e\n\u003cp\u003eEpisode 2 - Love and Loss\u003cbr\u003eThe music of Beethoven's creative middle years is explored, alongside the dramatized recollections of his family and friends. In this period he wrote five symphonies, four concertos, and his only opera - Fidelio. (00:59:01)\u003c\/p\u003e\n\u003cp\u003eEpisode 3 - Faith and Fury\u003cbr\u003eBeethoven again revolutionizes musical composition with works such as the Hammerklavier Sonata, the Missa Solemnis, the 9th Symphony and the baffling late string quartets - all composed when he was profoundly deaf. (00:58:48)\u003c\/p\u003e","brand":"West Coast Buried Treasure","offers":[{"title":"Download \/ 1. The Rebel","offer_id":40171288428591,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"Download \/ 2. Love and Loss","offer_id":40171288461359,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"Download \/ 3. 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After their acrimonious split, which had lasted ten years, Arena's cameras proved that they and their unique, beautiful sound were as magical as ever.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFirst broadcast at Christmas 1983. (01:15:00)\u003c\/p\u003e","brand":"West Coast Buried Treasure","offers":[{"title":"Download","offer_id":40811551424559,"sku":null,"price":12.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1157\/9802\/products\/Screenshot2022-05-10144537.jpg?v=1652219208"},{"product_id":"the-everly-brothers-songs-of-innocence-and-experience-bbc-arena-music-documentary-film-1984","title":"THE EVERLY BROTHERS: SONGS OF INNOCENCE AND EXPERIENCE (1984)","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Everly Brothers were among the most successful and revered of all the giants of early rock 'n' roll. 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(01:35:18)\u003c\/p\u003e","brand":"West Coast Buried Treasure","offers":[{"title":"Download","offer_id":40811842469935,"sku":null,"price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1157\/9802\/files\/p0g5gtcr.jpg?v=1691880815"},{"product_id":"the-everly-brothers-harmonies-from-heaven-bbc-music-documentary-film-2016","title":"THE EVERLY BROTHERS: HARMONIES FROM HEAVEN (2016)","description":"\u003cp data-mce-fragment=\"1\"\u003eDocumentary which celebrates, over the period covering the end of the 1950s and the beginning of the 60s, the phenomenon of The Everly Brothers, arguably the greatest harmony duo the world has witnessed, who directly influenced the greatest and most successful bands of the 60s and 70s - The Beatles, The Stones, The Beach Boys and Simon \u0026amp; Garfunkel to name but a few.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDon and Phil Everly's love of music began as children, encouraged by their father Ike. Little Donnie and Baby Boy Phil sang on Ike's early morning radio shows in Iowa.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter leaving school, the brothers moved to Nashville where, under the wing of Ike Everly's friend, the highly talented musician Chet Atkins, Don and Phil signed with Cadence Records. They exploded onto the music scene in 1957 with Bye Bye Love, written by Boudleaux and Felice Bryant.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter Bye Bye Love came other hits, notably Wake Up Little Susie, followed by the worldwide smash hit All I Have to Do Is Dream and a long string of other great songs which also became hits.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBy 1960, however, the brothers were lured away from Cadence to Warner Bros with a $1,000,000 contract. Their biggest hit followed, the self-penned Cathy's Clown, which sold 8 million copies. Remaining at Warner Bros for most of the 60s, they had further success with Walk Right Back, So Sad and the King\/Greenfield-penned track Crying in the Rain. (00:58:57)\u003c\/p\u003e","brand":"West Coast Buried Treasure","offers":[{"title":"Download","offer_id":40811800199215,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1157\/9802\/products\/Screenshot2022-04-23102252.jpg?v=1650734644"},{"product_id":"the-beatles-on-the-ed-sullivan-show-all-four-appearances-in-1964-1965","title":"THE BEATLES ON THE ED SULLIVAN SHOW 1964\/1965","description":"\u003cp data-mce-fragment=\"1\"\u003eAt 8 o’clock on February 9th 1964, America tuned in to CBS and The Ed Sullivan Show. But this night was different. 73 million people gathered in front their TV sets to see The Beatles’ first live performance on U.S. soil. The television rating was a record-setting 45.3, meaning that 45.3% of households with televisions were watching. That figure reflected a total of 23,240,000 American homes. The show garnered a 60 share, meaning 60% of the television’s turned on were tuned in to Ed Sullivan and The Beatles.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEd opened the show by briefly mentioning a congratulatory telegram to The Beatles from Elvis Presley and his manager, Colonel Tom Parker and then threw to advertisements for Aero Shave and Griffin Shoe Polish. After the brief commercial interruption, Ed began his memorable introduction:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Now yesterday and today our theater’s been jammed with newspapermen and hundreds of photographers from all over the nation, and these veterans agreed with me that this city never has witnessed the excitement stirred by these youngsters from Liverpool who call themselves The Beatles. Now tonight, you’re gonna twice be entertained by them. Right now, and again in the second half of our show. Ladies and gentlemen, The Beatles! Let’s bring them on.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAt last, John, Paul, George and Ringo came onto the stage, opening with “All My Loving” to ear-splitting screeches from teenaged girls in the audience. The Beatles followed that hit with Paul McCartney taking the spotlight to sing, “Till There Was You.” During the song, a camera cut to each member of the band and introduced him to the audience by displaying his first name on screen. When the camera cut to John Lennon, the caption below his name also read “SORRY GIRLS, HE’S MARRIED.” The Beatles then wrapped up the first set with “She Loves You,” and the show went to commercial. Upon return, magician Fred Kaps took the stage to perform a set of sleight-of-hand tricks.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConcerned that The Beatles’ shrieking fans would steal attention from the other acts that evening, Ed Sullivan admonished his audience, “If you don’t keep quiet, I’m going to send for a barber.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs hard as Ed tried to protect them, the other acts that night suffered from the excitement surrounding The Beatles. Numbered among those performers were impressionist Frank Gorshin, acrobats Wells \u0026amp; the Four Fays, the comedy team of McCall \u0026amp; Brill and Broadway star Georgia Brown joined by the cast of “Oliver!”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe hour-long broadcast concluded with The Beatles singing two more of their hits, “I Saw Her Standing There” and “I Want to Hold Your Hand” to the delight of the fans in attendance and those watching at home.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe show was a huge television success. As hard as it is to imagine, over 40% of every man, woman and child living in America had watched The Beatles on Sullivan.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA week later, the February 24th issue of Newsweek magazine’s cover featured a picture of The Beatles with the title, “Bugs About Beatles.” Inside, the review of The Beatles debut on The Ed Sullivan Show began, “Visually, they are a nightmare: tight, dandified, Edwardian\/Beatnik suits and great pudding bowls of hair. Musically, they are a near-disaster: guitars and drums slamming out a merciless beat that does away with secondary rhythms, harmony, and melody. Their lyrics (punctuated by nutty shouts of “yeah, yeah, yeah!”) are a catastrophe, a preposterous farrago of Valentine-card romantic sentiments.” The article ended with the following prediction, “…the odds are they will fade away, as most adults confidently predict.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSo much for adult odds makers. But even at that, it was impossible to imagine what a lasting impression the night would leave.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJohn Moffitt, then Assistant Director of The Ed Sullivan Show recalls, “Nobody realized the impact to come, how momentous it would be. We didn’t talk about making history. It was more like, ‘What are we going to do next week? Not only are we doing this again, we’re on location.’”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThat’s because The Beatles’ second appearance on February 16th, 1964, was broadcast from The Deauville Hotel in Miami Beach, Florida. Moffitt remembers how fans took over the venue, and when it was time for The Beatles to perform, a teaming throng of teenagers blocked the group’s access to the ballroom. As security guards wedged a passageway through the crowd for The Beatles, the show was being broadcast to America. Unaware of the delay, Ed was about to introduce them. Moffitt recalls…\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Ed is saying ‘And now, here are—(a beat)—The Beatles right after this.’ And he went to a commercial. And during the commercial, finally at the end, The Beatles broke through, they came running up the aisle, they got hooked up, and I believe there was one microphone that didn’t get hooked up. But you couldn’t tell because all you could hear was the screaming.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAudio difficulties aside, the boys plowed through “She Loves You,” “This Boy” and “All My Loving” for their first set, then turned the stage over to the comedy team of Allen and Rossi (“Hello, Dere”), singer\/dancer Mitzi Gaynor, acrobats The Nerveless Knocks and monologist Myron Cohen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Beatles returned to close the show with performances of “I Saw Her Standing There,” “From Me to You” and “I Want to Hold Your Hand.” After they finished, Ed called them over and congratulated them, passing along word that legendary composer Richard Rodgers was one their “most rabid fans.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAgain, The Beatles on Sullivan proved a huge ratings success, nearly duplicating the record-setting performance of their first appearance. The second show also attracted 40% of the American population.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Beatles third and—according to their contract—final performance on The Ed Sullivan Show was technically their first. The show was taped prior to their live February 9th debut, but saved for broadcast until February 23rd, 1964. On this show, The Beatles sang “Twist and Shout”, “Please Please Me” and “I Want to Hold Your Hand.” Other guests that night included stand-up comedian Dave Barry, Gordon and Sheila MacRae, and the legendary American jazz singer Cab Calloway.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn September 12th, 1965, The Fab Four returned to the Ed Sullivan stage one last time. They played “I Feel Fine,” “I’m Down,” “Act Naturally,” “Ticket to Ride,” “Yesterday,” and “Help!” This performance was taped in New York on August 14th, 1965, just one day before The Beatles kicked off their North American Tour with a concert at Shea Stadium that set the attendance record for an outdoor show at the time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe final appearance of the Beatles on Ed Sullivan, like those in February 1964 aired in black and white. However, at the end of the evening, Sullivan broke the news that the following week, his show would start broadcasting in color.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSo The Beatles were just a week from having their performance captured and preserved forever in color.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese four historic Beatles performances on The Ed Sullivan Show featured 20 Beatles songs—seven of which became Number One hits. Cumulatively, the four shows attracted an audience of a quarter of a BILLION people. In terms of percentage of America’s population, the first two shows remain the highest viewed regularly scheduled television programs of all time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Beatles’ success on The Ed Sullivan Show paved the way for future rock ‘n’ roll groups dubbed the British Invasion, including The Rolling Stones, The Animals, The Dave Clark Five, Herman’s Hermits, The Searchers, Gerry and the Pacemakers, Peter and Gordon, etc.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe genius of The Beatles and the American institution that was The Ed Sullivan Show combined to create one of the most defining and indelible moments in the history of music, television and pop culture. 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It was directed by Oliver Stone and starred Val Kilmer as Jim Morrison. The Doors: The Road of Excess is a documentary spin off from the making of this film and includes interviews with those who were close friends with the late Jim Morrison and several people who were directly involved in the making of The Doors.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe film itself only really touched the surface of what Jim Morrison actually achieved in life and in a bid to shine light on what was left out of the movie this documentary takes a closer look at Jim’s career and friends. 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The Beatles, The Rolling Stones and The Dave Clark Five.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFifty years later this film tells the story of The Dave Clark Five, their emergence from working-class Tottenham, their unique sound, their close friendship, their self-managed business philosophy and the youthful exuberance with which they captured the USA.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTestifying to the lasting impact of the band and what made them unique in an era of brilliant, game-changing creativity, Dave Clark's two-hour documentary features newly-filmed interviews with Sir Paul McCartney, Sir Elton John, Sir Ian McKellen, Stevie Wonder, Sharon and Ozzy Osbourne, Bruce Springsteen, Steven van Zandt of The E Street Band, Gene Simmons of Kiss, Whoopi Goldberg, Dionne Warwick and Twiggy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInterwoven throughout, boyhood fan Tom Hanks's inspirational and moving speech at the DC5's Rock \u0026amp; Roll Hall of Fame induction ceremony in 2008 explains what five guys from north London and the Tottenham Sound meant to Hanks's generation. As well as barnstorming live and TV performances by the DC5, the film weaves archive interviews with band members alongside extraordinary footage of The DC5 on tour and in the studio and also features rare TV footage from the legendary Ready Steady Go! series, where The DC5's fellow pop pioneers The Beatles, The Rolling Stones, The Who, Dusty Springfield, Stevie Wonder, The Supremes, Martha Reeves and The Vandellas, Marvin Gaye and Otis Redding highlight a time of unparalleled excitement and innovation. This film captures the youth, innocence and zany zest of the swinging 60s and The Dave Clark Five's driving role in those years.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd beyond the 60s? 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The brothers went from child stars on the Australian variety circuit to competitors with the Beatles in the UK charts in the late 60s, scoring number one hits while still only teenagers. (00:59:15)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the mid-70s, the former 'beat group' reimagined themselves as a close-knit soul boy trio. The Saturday Night Fever album shot them to global superstardom and every radio station played a song written, produced or sung by the Bee Gees. The saturation of their music and their iconic 'medallion man' image would ultimately elbow them out of fashion, even make them figures of fun...\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut you can't keep a good band down and in the 80s they became writing guns-for-hire to stars such as Kenny \u0026amp; Dolly, Barbra Streisand and Diana Ross. 1987 saw the band come back yet again and hit the top of the charts. 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Choir! Choir! Along the way he gets to play with a Memphis marching band, join a song circle led by Bobby McFerrin, deconstruct the sexiness of 'Relax' with its producer Trevor Horn, discuss the art of songwriting with his old colleague Sting and learn how to create dance floor unity with international star DJ Honey Dijon.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEpisode 2 of 3\u003c\/p\u003e\n\u003cp\u003eStewart Copeland continues his mission to understand how music works by exploring its extraordinary power to tell stories.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eHis journey includes meetings with film director Francis Ford Coppola, who explains how simple musical devices transformed the most famous scenes in The Godfather and Apocalypse Now, his old friend Sting, who describes the secrets of his songwriting process, rapper Talib Kweli, who looks at the power of music in protest, and the French-Cuban Ibeyi sisters, who show how music has kept the Yoruban tradition alive. Finally, he meets the man who composed one of the shortest but most effective musical stories ever written - the Intel bongs!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEpisode 3 of 3\u003c\/p\u003e\n\u003cp\u003eStewart Copeland explores the transcendental powers of music and how certain sounds have the ability to move us, transport the mind and even help us escape this world - if only briefly.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eAs a child, Stewart’s path was determined when, despite being raised by strict atheists, he was deeply moved by the massed voices of the Wells Cathedral choir singing Jerusalem. 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